Writing

Books


•     Cinesonica: Sounding film and video (Manchester: Manchester University Press, 2010).


> read Journal of Sonic Studies review

> read Jump Cut review




Journal articles and chapters


•     'Noise, Agency, and the Sound of Obsolete Technology', FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur,  Nr. 61 Dated Formats Now! (2017).


•     'Meaning and Musicality:Sound-Image Relations in the Films of John Smith', in Holly Rogers and Jeremy Barham (eds.), The Music and Sound of Experimental Film (New York: Oxford University Press, 2017), pp. 167-183.


•     ‘Electroacoustic Composition and the British Documentary Tradition’, in Liz Greene & Danijela Kulezic-Wilson (eds.), Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (Basingstoke: Palgrave Macmillan,  2016).


•     'Photographic Sound Art and the Silent Modernity of Walter Ruttman's Weekend (1930)', The New Soundtrack, Vol. 6 Iss. 2 (2016), pp. 109-127.


•     ‘Heavy Weather: Michelangelo Antonioni, Tsai Ming-liang, and The Poetics of Environmental Sound’, Quarterly Review of Film and Video, Volume 32 Issue 1 (2015), pp. 72-90.


•     'Douglas Gordon and Cinematic Audiovisuality in the Age of Television: Experiencing the Experience of Cinema:’, Visual Culture in Britain, Vol. 13, Iss.1  (2012), pp. 101-113.


•     ‘White Noise: the representation of modernity in the films of Pai Ching-jui’, in: Bi-yu Chang and Henning Klöter (eds.), Imaging and Imagining Taiwan: Identity Representation and Cultural Politics, Studia Formosiana vol. 8 (Wiesbaden: Harrassowitz Verlag, 2012), pp.69-89.


•     ‘Marking time and sounding difference: Brubeck, temporality and modernity’, Popular Music, vol. 29, iss. 3 (2010), pp. 351-371.

>  full text pdf  © Cambridge University Press.

•     ‘Harbouring History: Stella Polare and the Sound of a Place’, Vertigo, vol. 3 no. 5 Spring (2007), p.31.




Catalogues / reviews / dictionary entries


•     ‘Listen’. John Smith, exhibition catalogue, 16 January - 13 February 2013, Sidney Cooper Gallery, Canterbury.


•     Review: ‘James Tobias, Sync: Stylistics of Hieroglyphic Time.’ Screen, vol. 52, no. 4 Winter (2011), pp. 528-531.


•     Entries on ‘independent cinema’, ‘mode of production’, ‘text’ and ‘real-time’ In: Critical Dictionary of

Film and TV Theory. 2000. Edited by R. Pearson & P. Simpson. London: Routledge.